Now my workflow is RAW MLV files from a 7D, convert to DNGs with MLVMystic, import DNGs into Resolve and make smaller sized proxies for editing in Premiere CC, then follow the rest of the tutorial in the link above to relink to the RAW DNGs for color grading, even with the reel names missing in Premiere's XML file. Finally I found this.Įven though I am using a PC it worked perfectly. I went through a lot of different websites, blogs and youtube tutorials to figure out how it could be done without reverting back to Premiere CS6.5 (which worked as it should with the XMLs). It seems that Premiere CC no longer exports reel/tape names in it's XML files, and this is a known bug that still hasn't been fixed.
I wish I could skip the back and forth between AE and Premiere, but premiere cant handle DNGs.Įasiest workflow had of course been just to stay in resolve and do everything there, but the noise drives me crazy.ĭoes anyone know a better way keeping footage to a minimum?Īfter hunting for a solution for two days to the round-trip Resolve 11/Premiere CC issues I was having, I just wanted to share the first thing I found that actually worked. In premiere, grade (I use colorista) and render. In AE, denoise and color correct each clipħ. open in premiere and now replace every single base-clip (reused clips on timeline will use same base clip) with AE-compĦ. open in after effects, precompose every single clip (to get it nested - no such function in premiere) export to premiereĥ. Import and Edit in Premiere (realtime playback, but debayering is awful). MLVFUSE it to DNGs (no extra space needed)ģ. Good sound capabilities and linking to AE.Ĭut in Davinci: Great, but no noise reduction and/or AE-links! Problem with soundĢ. With MLVFUSE one does not need to leave davinci, but davinci falls short on two things, noise-reduction (lite version) and sound capabilities (some sound formats get messed up and sometimes renders audible glitches).Ĭut in Premiere: Great, but can’t handle the dngs (!) without export to AE as last step.
I wanted a workflow that does not require intermediate export, since the material will double in size.
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